Bilal Qureshi

Filmmaker Jasmila Zbanic was a 17-year-old student living in Sarajevo with her family when the Bosnian war began in April 1992. As clashes over Bosnia's referendum for independence first started, she says nobody imagined there could ever be a full war. "It started like [the] riots on Congress in January in [the] U.S. ... I was happy when this happened because I thought what a cool thing not to go to school and have [the] whole city stop," she says.

Copyright 2020 NPR. To see more, visit https://www.npr.org.

ARI SHAPIRO, HOST:

Three years ago, a small film crew drove into the Austrian Alps in search of a remote valley. It would serve as one of the settings for Terrence Malick's vision of paradise.

"We'd taken a big, big risk when we decided to go," says the film's producer Grant Hill. "We had next to no funds. [We] felt, for some reason, we'd work that out as we went along — which, I wouldn't advise doing it again that way, but it worked. And this combination of the mountain background, the faces on the people, the weather really did — I mean, it was otherworldly."

Copyright 2021 NPR. To see more, visit https://www.npr.org.

AUDIE CORNISH, HOST:

Good morning from Toronto, where the NPR Movies team has decamped for the next seven days or so, as we attend the Toronto International Film Festival, the largest film festival in North America.

Filmmaker Florian Henckel von Donnersmarck's debut film, The Lives of Others, won the Oscar for best foreign language film in 2006, bringing the enduring trauma of Germany's recent history to international attention.

Set in East Berlin before the fall of the Berlin Wall, the film told the story of two artists who are monitored, surveilled and threatened by an East German intelligence officer. It was hailed as a groundbreaking film both abroad and in Germany for its blend of political history and cinematic drama.

"Rapturous," "Soaring," "Masterful!" It's that time of year again when critics use their hyperbolic best to preview the fall's most anticipated films. Starting at the end of August, studios show their Oscar hopefuls to accredited press across a trinity of prestigious film festivals – Venice, Telluride, and Toronto – the last of which concluded on Sunday night.

This story originally aired on Feb. 28, 2017 on All Things Considered.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

MICHEL MARTIN, HOST:

Finally today, jazz pianist and composer Randy Weston died this weekend. He was 92 years old.

(SOUNDBITE OF RANDY WESTON'S "HI-FLY")

At the height of the Cold War, the United States was also fighting a culture war. To counter Soviet propaganda, the U.S. State Department launched a public relations campaign called the Jazz Ambassadors program, sending Louis Armstrong, Duke Ellington, and Dave Brubeck and other leading jazz musicians on tours around the world.

Shahzia Sikander is one of the contemporary art world's most celebrated stars. She's projecting her hypnotic video installations onto Times Square billboards; she's led exhibitions at major art museums across the world; and she was recognized by the MacArthur Foundation as a "genius" fellow in 2006.

Last night was Empire's season finale, and at one of D.C.'s biggest Empire watch parties, a sharply dressed crowd of hundreds is huddled around every flat-screen in The Stone Fish Grill Lounge downtown.

"Here we go! Here we go! Here we go, come on everyone! Round of applause!" shouts one of the hosts for the night. "It's Empire time!"

Three years ago, when Islamist rebels seized the ancient Malian city of Timbuktu, filmmaker Abderrahmane Sissako began planning a film about Islamic extremism. As an African Muslim, he says he always was inspired by Timbuktu's history as a center of learning and tolerance, and wanted to explore how extremist ideology could survive in that setting.

But he didn't want to make another news documentary about Islamic extremism.