Kavinoky

Big doings on Buffalo's diverse West Side on the D'Youville College campus, with a major emphasis on a health professions hub, more acting jobs in the "Simulated Patient Program," and repurposing Holy Angels Church with all sorts of promising arts ideas floated, including a second theatrical space, and the Kavinoky possibly becoming an Actors Equity house. As the college drops their old "Spartans" mascot and embraces the more appropriate "Saints" ("Never refuse to serve") two new campus residents are St. Bernard puppies, Maggie and Saint, seen in a promotional video here.

D'Youville College's new president Lorrie Clemo is modernizing the campus with an historic sensibility and the Kavinoky Theatre is part of that renovation, with new seats on the way, a "Broadway style" entrance on Prospect Avenue, along with fresh paint, moldings, and detail work, says Executive Artistic Director Loraine O'Donnell. Anthony reports that it is stunning and he took some snapshots (below).

Although the annual start of the Buffalo theater season sees many openings, in fact, a number of plays and musicals have been up for a few weeks, including HAIRSPRAY, which is dazzling audiences young and old, from all backgrounds. Director Carlos Jones has added a twist, a second role in drag, "Motormouth Maybelle" sung by operatic tenor Shawn Parnell.

Curtain Up! is tonight, and regardless of which theater venue you attend, you're invited downtown for the big "after the shows" street party where you can see Lynn Kurdziel Formato's star, the latest in the "Plaza of the Stars" on Main Street at Tupper. Here's good news for readers! Anthony Chase is back writing reviews for GUSTO at The Buffalo News. And we are sad to note that three-time Tony Award nominee Marin Mazzie known on Broadway for RAGTIME, PASSION, and KISS ME KATE died Thursday of ovarian cancer at 57.

Now, through the magic of theater and a new play called ONCE IN MY LIFETIME opening next week at Shea's Smith Theater, Bills fans (isn't that everyone at some point?) can gain redemption.

After directing a fabulous THE PRODUCERS at the Kavinoky, Lynne Kurdziel-Formato brings her talents to MAMMA MIA!, the 1999 juke-box musical set to songs by ABBA, now extended through February 3! Across town, at O'Connell & Company, Victoria Perez has directed AN ACT OF GOD.  And (see listings below) both The Shaw Festival and The Stratford Festival have announced their 2018 seasons.

This week Peter and Anthony discuss three plays still up this weekend: THE CRUCIBLE with stellar performances by Adriano Gatto and Aleks Malaise at the Kavinoky Theatre; MINDING FRANKIE, a heartwarming, funny play (but take a tissue, too!) with Kristen Tripp Kelley and Christian Brandjes, and PAINTING CHURCHES at O'Connell & Company with many themes, including "you can't go home again."

The Theater community is really hitting its stride as we head into spring with a number of very fine performances. With two short runs, closing this Sunday, which include two very different “look backs” at the mid-20th century, we also have a number of plays continuing into late March and early April including three excellent offerings by our local amateur theaters at the Roycroft, Ellicott Creek, and the Woodbox Theatre in Niagara Falls.

Three openings this week include THE CITY OF CONVERSATION, a play about politics by Anthony Giardina at the Kavinoky, CHILDREN OF EDEN, a musical by Stephen Schwartz at the Lancaster Opera House, and NEVER WEAR A TUBE TOP WHILE RIDING A MECHANICAL BULL, a comedy in drag starring “Dixie Longate” (of “Tupperware” fame).

For the holidays, Manhattan sparkles and Broadway adds extra shows. In Buffalo, theaters go dark for two to three weeks. But, starting tonight, live theater is back with the openings of END OF THE RAINBOW at the Kavinoky and OF MICE AND MEN at the Lancaster Opera House.

Nora's departure from her marriage at the end of 19th century Norwegian playwright Henrik Ibsen's A DOLL'S HOUSE marked the beginning of the modern age of theater, but apparently, 20th century Swedish director Ingmar Bergman felt that Ibsen didn't go far enough. Enter NORA which opened last night.

The 25th Annual Artie Awards, Buffalo's celebration of local theater, will be held on Monday, June 1 at 710 Main for the first time. The event will be hosted by actors Charmagne Chi, recently seen in "Carousel," and Amy Jakiel, recently in "She Loves Me," with Artvoice theater editor and Theater Talk co-host Anthony Chase.  Doors (and bar) at 710 Main will open at 7 p.m.; the Artie Awards show begins at 8 p.m.  The modest admission fee helps support the Immunodeficiency Clinic at ECMC.

With so many regional stages it's bound to happen that some productions are uneven, and this week while "Carousel" (MusicalFare thorugh May 17) was generally disappointing, "The Beauty Queen of Leenane" (Irish Classical through May 17) was helped by Kristen Tripp Kelley.  Anthony enjoyed "Rust Belt Grotesque" (ART InTheBox through May 23) and the musical "She Loves Me" (Kavinoky through May 24).  And Theater Talk is very much looking forward to Kelli Bocock-Natale's direction of "A Midsummer Night's Dream" (New Phoenix Theatre through May 23).

At the age of 80, Australian comedian Barry Humphries is retiring his character "Dame Edna Everage" after a 2015 farewell tour. Anthony flew out to Los Angeles to catch a show last week, but Buffalo/Toronto audiences can wait until early April when the tour comes to the Royal Alexandra in Toronto.

In common with the great Anton Chekhov, playwrights Alan Ayckbourn and Buffalo's A.R. Gurney both make effective use of small sets which serve multiple purposes as well as indirect action - the off stage drama churning beneath the service. In Ayckbourn's "Snake in the Grass" two sisters reunite after the death of their abusive father.  In Gurney's "Family Furniture" a mother might have engaged in an infidelity, but nobody is talking, at least not directly, in the drama set in Buffalo in the 1950s.

It's a rare theater company that has something on the boards over Christmas, but that's when the movies bring out some blockbusters, including an adaptation of Stephen Sondheim's "Into the Woods." Major stars fill the silver screen, including Meryl Streep as "The Witch" and Buffalo's own Christine Baranski as "The Stepmother."  Anthony reports that there are some differences between stage and screen versions, partly because gruesome elements can be comedic on stage while movies, which are only two dimensional, somehow seem "more real." On the other hand, effects such as levitation and magic